Robert Brockway’s The Empty Ones is a punk rock take on a weird and spooky world full of butt kicking, hard drinking and surprising emotional investment. This book will turn the volume up to 11, and follow it up with a punch straight to the heart when you least expect it.
A continuation to the first book in the series, The Unnoticeables, this book picks up shortly thereafter. Telling the next step for our rough–around-the-edges “heroes,” it also tells a little more of their history. Brockway does a great job of gradually revealing the mysteries of its world and the nature of the eldritch enemies his characters face while darkly foreshadowing the future ahead of them. The ending completes a satisfying story while setting up the next chapter, leaving readers excitedly waiting for the third and final volume of the series.
Readers who enjoy more bizarre humor and “out there” fiction will enjoy it for sure; this book is weird and there’s just no way around it. Joyously counter-culture and unrelentingly vicious at points, it balances this with surprising heart and depth of character in ways you won’t always expect. It’s is a heck of a ride that readers may just need to strap in for and enjoy. Brockway also does a good job of capturing the unique feeling of the exhaustion you get when it feels like the world has nothing but further misfortune for you, no matter what you do — but you push on anyway.
I highly recommend reading The Unnoticeables before starting on this one — the mythos is convoluted enough that it could be a little confusing to try and jump in midstream. If you enjoyed this title, you should also try David Wong’s John Dies at the End, which similarly is a story full of strange humor and surprisingly dark moments. Both Wong and Brockway write for the internet humor site Cracked, and they share an esoteric style of writing. Readers might enjoy other stories of magic and adventure, such as Jim Butcher’s Storm Front or Daniel Polansky’s Low Town.
Warren Ellis has a dark view of the future, and he wants to give you the inside scoop. In his newest book Normal, the prolific author of dozens of graphic novels shares his creepy and worryingly plausible view of the future of surveillance and technology in the world.
The book begins at Normal Head, an isolated facility in the Pacific Northwest. Normal is where futurists, people whose job it is to look forward and prepare for catastrophes, go to recover when the pressures of their jobs drive them to depression, exhaustion and madness. The protagonist is a newly arrived patient who investigates a strange disappearance of another patient at the facility.
While not being an uplifting tale, the book does present an interesting take on where the future of technology may head. Normal is almost more an education on problems humanity may face in the future than a story. It stares unblinkingly at a future that the reader may feel is implausible, but can’t entirely dismiss as impossible. Though it sounds grim, the book is full of memorable and funny — if bizarre — characters, each defined by their quirks and their fears.
Overall the book is a great read, especially for fans of speculative, near-future sci-fi. Not truly dystopian, it shows how we got from present day to a world destroyed. Normal is weird and quirky and dark but ultimately delightful.
Readers who enjoyed this are also likely to enjoy some of Ellis’ other works, such as Trees, a graphic novel set in a near future where our world has been irrevocably changed by massive technological columns (the titular Trees) from space. They might also enjoy Transmetropolitan, another graphic novel by Ellis that is set in the full on dystopian future, though that series is a good deal more crude and adult than this book. For something a little more hopeful, though no less dark, readers could also try Little Brother by Cory Doctorow. This book, also set in the near future, discusses the dangers of government surveillance through the eyes of a teenager living in San Francisco in the wake of a terrorist attack.
You always wanted a sequel, and here it is. Dark, weird, confusing and fascinating are all words to describe this head-bending follow up. What Chuck Palahniuk began in Fight Club, he brings full circle in Fight Club 2, and he does so with panache.
The book starts several years into the future. The Narrator is now married to Marla, and they have a child. But things are not as joyful as they seem. There are worms in the apple, and things start to fall apart quickly. Palahniuk’s prose is seductive and grand; he posits ideas and immediately pivots to shred them. How powerful is an idea; can it survive the thinker? Can it pass from one generation to the next? These are the sorts of questions that Fight Club 2 demands we answer, all while it assails us with an ideology of violent revolution that’s intended to free our souls from this corporate purgatory we inhabit. Certainly, this book makes clear above anything else that Tyler Durden’s nihilistic philosophy is as juvenile as it is empty.
In the end, the questions will linger longer than the answers, and the reader may be left wondering if anything was really answered at all. But for diehard Palahniuk and Fight Club fans, this is a must read regardless. All you can do is strap in and enjoy one more wild ride. If you enjoyed this and you haven’t read the original, you absolutely should pick it up and give it a read.
If you’re a graphic novel fan, you should also consider Alan Moore’s V for Vendetta, another tale of violent revolution. For something a little less violent, Scott McCloud’s The Sculptor tells the story of a young man whose story goes from mundane to mystical and poses a lot of similar questions about our lives and what they mean. Fans of the original book should consider Brett Easton Ellis’s American Psycho, which similarly examines the sort of corporate prisons we build and what they do to us, or Charles Heller’s Catch-22, which take a little more roundabout route to examining man’s inhumanity to man and the effects of that violence on the soul.
Spies. Monsters. Super powers. And…bureaucratic humor? In Stiletto, Daniel O’Malley delivers a riveting novel that covers all of the above and more. A follow up to his smash hit The Rook, this novel delves deeper into the world of the Rookery, a covert agency in the English government that employs individuals with unusual abilities to protect their country from threats internal and external.
In this book, the Rookery is looking to make nice with an age old foe. But how do you join two groups, when both have been raised since time immemorial to despise the other? Old wounds are re-opened and loyalties are tested when these organizations are forced to confront very real threats to themselves, their colleagues and to England itself.
While modern fantasy/espionage/horror/office humor is a pretty niche sub-genre, Daniel O’Malley does a great job of making this book accessible to all audiences. Funny and insightful one moment, terrifying and tense the next, O’Malley seamlessly blends genres to keep the reader engaged from start to finish. He also does a great job of mining his premise for unexpected humor — at one point they discuss how a Gorgon was driven from England not by an armed assault, but by a series of increasingly withering tax audits.
A great read for fans of urban fantasy, this book has humor, heart and a few good scares in store for its readers. If you enjoy this book, you could also check out The Atrocity Archives by Charles Stross, another series about English spies defending crown and country from the supernatural while dealing with bureaucratic red tape. Urban fantasy fans might also enjoy Jim Butcher’s The Dresden Files; the first book in that series is Storm Front. It follows a modern day private investigator who also happens to be a wizard, mixing dry humor with thrilling action and some terrifying moments.
Robert Kirkman is already a seasoned veteran of horror-themed graphic novels, so it should come as no surprise that Outcast, his latest offering, is an unqualified success. Scary, tense and mysterious, this book checks all the boxes to make readers love the story and want to come back for more.
Outcast tells the story of Kyle Barnes, a man hiding from the world. Haunted by memories of violence in his childhood and divorced after an incident with his wife and daughter, he is entirely alone. He is given new life when he is offered the chance to help a possessed child. When the possessed child calls Kyle “Outcast” and speaks about Kyle’s childhood, he becomes determined to get to the bottom of it all. To tell any more would be to spoil the many, many surprises awaiting readers.
Kirkman does a great job of revealing just enough to keep the readers hungry and guessing — each answer leads to more and more questions. Just what does “Outcast” mean? How does this all tie into Kyle’s troubled life? And what is the sinister endgame behind it all? He also does not spare us from the gory horror and violence — panels are viscerally painted with the bloody results of interactions with the possessed. With his trademark prose, Kirkman makes us feel the exhaustion of Kyle’s struggle against darkness on all sides.
Definitely a great read for fans of the horror graphic novel genre or Kirkman’s The Walking Dead, this was so well received that it’s currently showing as a TV series on Cinemax. If you enjoyed this, I’d also recommend Joe Hill’s Locke and Key, James Tynion’s The Woods, and Scott Snyder’s Wytches — all series that are terrifying in their own right.