Have you ever wanted to be in your favorite book? Make sure the bad guys lose? Maybe change the entire course of the story? Of course you have; you’re reading this blog. In Michael R. Underwood’s Genrenauts: The Shootout Solution, Leah Tang can be your stand-in. Leah is a stand-up comedian trying to make a name for herself in Baltimore and enduring all the frustrating nonsense that being an Asian female comic in a dive bar can provide: drunken hecklers, rude come-ons, people who completely misunderstand a really good joke. But Leah presses on, despite the bar owner’s lack of support for anyone other than drunken louts. By the end of her set, she has attracted attention of both the wanted and unwanted kinds.
The wanted kind: He was the only one who got her jokes. Why not go along for the ride? Being a smart person, Leah texts her friend to let her know she is heading down I-97 with a strange man who had promised her a job.
At the Genrenauts Foundation building, however, Leah begins to rethink her life choices. What’s with 19th century period attire? Why is a woman being wheeled down the hall in a gurney? What’s with the thing that looks suspiciously like a spaceship? Leah almost walks away. When they step off the spaceship into the wild, wild West, she wishes she had run when she had the chance. How can she help save the so-called real world if she cannot figure out the tropes and devices of even one Genre World?
If you like the TV show Leverage or the books of Jasper Fforde, Genrenauts is absolutely the series for you. Exploring genre tropes while saving the world has never been more fun. And be sure to check out the second in the series, Genrenauts: The Absconded Ambassador!
Edward O. Wilson has spent many decades explaining science to the multitudes. His passion for natural history rings true in all of his books. From his very first book The Ants (his specialty is myrmecology — the study of ants) to The Social Conquest of Earth, up through his most recent, Half-Earth: Our Planet’s Fight for Life, Wilson spends his words to ignite in every human passion for the Earth that equals his own.
This 86-year-old myrmecologist starts off huge: Humans need to set aside fully half the Earth for nature, no exceptions. Why do they need to do this? Because only something that startling in scope can offset the magnitude of what people have been doing to the planet. His ultimately hopeful conclusion inspires the reader to action. This world can get better. The Earth can heal. But Wilson believes that the inhabitants of the Earth cannot sit by and dream of a better place — they have to make it. All life is interdependent, and in this Anthropocene Era, the era of humanity, humans are best-equipped to begin the healing process.
Believe him or not, there is absolutely no arguing with the man’s passion or his commitment to making the world safe for generations to come. Anyone interested in climatology, biology, or any of the life sciences, and those who enjoyed The Human Age: The World Shaped by Us by Diane Ackerman or Zoologies: On Animals and the Human Spirit by Alison Hawthorne Deming should read this book right away.
Yann Martel hit superstardom in 2001 when Life of Pi was published. Soon thereafter, in 2002, won The Man Booker Prize. In this year’s The High Mountains of Portugal, Martel seeks the surreal in order to make better sense of the sorrows of life.
The High Mountains of Portugal is actually three loosely interrelated novellas, the longest of which is the first: “Homeless.” Set in Portugal, 1904, “Homeless” stars Tomas, a man who has lost his child, his lover and his father over a fairly short time. For obvious reasons, he feels betrayed by the world and by God, so betrayed in fact, that he has decided to walk backward for the rest of his life. This causes his uncle great consternation when he tries to show Tomas how to drive one of those new-fangled automobiles. It’s all fun and games until Tomas runs into his greatest tragedy and finds exactly what he thought he was looking for.
In part two, “Homeward,” Eusebio is a pathologist, and his town is in the shadows of the mountains of Portugal. Over the dying hours of the last day of 1938, Eusebio has a deep conversation with his wife regarding how Agatha Christie’s novels relate to the mysteries of the Bible. And then things take a turn for the weird. Magical realism sneaks into the office in the guise of a dead man and his wife. What Eusebio finds within and what he does thereafter must be read to be believed.
Finally, in “Home,” Peter, a member of the Canadian Senate, has a breakdown. His wife is sick. His son is going through a bitter divorce. What better time to quit and run to his ancestral home in the mountains of Portugal with an ape named Odo?
How do all of these things fit together? What is Yann Martel trying to say? What’s with all the animals? How are humans to deal with such grief? It is not until the very end, until the final story ties all of the stories together, that the ultimate epiphany is realized by the reader.
Readers who enjoyed Martel’s Beatrice and Virgil will derive even greater enjoyment from this journey through humility, hubris and the examination of what it might mean to be human.
Imagine urban fantasy. Now, remove the skyscrapers and the taxicabs and the cell phones. Replace them with clapboard buildings, dirt tracks and 10-gallon hats. Add a generous pinch of scary stuff. You might come up with a terrible episode of Gunsmoke — or you might get some idea of Holly Messinger’s first novel The Curse of Jacob Tracy.
Jacob Tracy is a novel, but its chapters are grouped into sections that read like short stories that are knit together by an overall plot arc, much like the setup of a TV series. Trace, himself, is a fascinating individual and an extraordinarily engaging and original character. He is a former seminary student and former Confederate soldier. His best friend/traveling companion, Boz, is an illiterate former slave. Though an odder couple is hard to imagine, both have each other’s best interests at heart as they travel the American western frontier, working as trail guides for city folk who are trying new adventures on for size.
Why Trace and Boz refuse to settle down for long is teased out over the several episodes in this book (hint: Trace sees dead people), but their loyalty to each other is never in question…until Trace meets Miss Fairweather, a recluse, who tricks him into performing a “simple task” during the lull season in trail guiding in order to earn much-needed room and board money. Taking Boz with him, because you never leave a friend behind, Trace is forced to start facing the demons of his past when he crashes into the middle of a long-running battle between the forces of the sane and the forces of the mad. The question is: When his visions start to overwhelm him, and he begins to realize Miss Fairweather might have set him up, who can he trust?
Come for the ghosts and not-so-urban legends. Stay for the pragmatic, yin and yang, stronger-than-family friendship of Boz and Trace.
This is Messinger’s first novel, but fans of the Harry Dresden novels or fans of online zine Beneath Ceaseless Skies (wherein Messinger has published short stories) will certainly approve of this story.
Robert Jordan spent more than two decades of his life writing his Wheel of Time series. What started as a proposed three-book series ended up a 14 book epic, and The Wheel of Time Companion is an absolute must for any fan of the series. Fourteen volumes involves a lot of world-building. So many characters! So many plot threads dangling all over the place! Who killed Asmodean? Why is Aran’gar such a nut? Readers need to know.
Jordan’s wife Harriet McDougal and longtime editors Romanczuk and Simons assembled this detailed compendium and dedicated it to “all the readers who love the Wheel of Time.” Readers certainly do love the Wheel of Time, and this book reflects the love that the Wheel’s curators feel for the readers, too.
For anyone who has ever wondered about the difference between Sea Folk and Seanchan, or how the male power level differs from the female powers, or how in the world the rank system in Cairhien works (and what is the Great Game, anyway?), pick up this book. Every named character, every named location, every creature Jordan ever mentioned, every permutation in name of every Forsaken is included. It even has a dictionary and grammar guide for the Old Tongue. Because, really: What was Mat Cauthon saying half the time?
Fans of Jordan’s Wheel of Time series, fans of Brandon Sanderson’s book Elantris and his Mistborn series, and any fans of complex world-building need to read this book. It is, in essence, a manual on how to create a rich fantasy world that will keep on attracting readers for decades.